Description |
A collection of material relating to Adam Pendleton and the exhibition shot him in the face.
Contents include:
Adam Pendleton: shot him in the face - BALTIC Interpretation Guide. Adam Pendleton in conversation with Allie Biswas, published in Brooklyn Rail, September 2016. Saving Nina Simone's birthplace as an Act of Art and Politics - New York Times, 02/03/2017. Adam, why Arial? by David Reinfurt, 4 June 2009 (Source unknown) Motherfist and her five glossaries: Notes towards the insertion of Black Dada, by Mark Beasley. Adam Pendleton Brings Black Dada to MoMA and Pace, by Michael Miller, 16/04/2012, in New York Observer. Greater New Yorkers: Adam Pendleton, by Kevin McGarry in New York Times Style Magazine, 27/05/2010. Glenn Ligon and Adam Pendleton: Site of Engagement, Flash Art - July-September 2011. Blackness in Abstraction by Adrienne Edwards, Art in America - January 2015 Adam Pendleton: The Making of an Art-World Star by Ellen Gamerman in Wall Street Journal - April 2015. 'Radical Juxtapositions': Adam Pendleton and Yvonne Rainer in an exchange of memory and motion, artnews.com - 11/01/2017. Adam Pendleton: Contemporary Arts Center, New Orleans. Review, Frieze - September 2016. Adam Pendleton on Art's Turbulent Moment, by Sophie Gilber in The Atlantic - December 2016. The Rising Art World Star Behind 'Black Dada', New York Times - April 2017. Adam Pendleton Examines the Multiplicity of Blackness, Hyperallergic, May 2017. Adam Pendleton Brings Opera (and Malcolm X) to Frieze, by Scott Indrisek for Artsy, 03/05/2017. How Abstraction is Another Word for Freedom by Gauthier Lesturgie, contemporaryand.com, February 2017. BALTIC interpretation text draft and working document. |