Description |
Phyllida Barlow’s anarchic, spontaneous, antimonumental sculptural assemblies are emerging from the shadow of an influential teaching career – we look ahead to her three London shows this spring and summer. Tom Friedman, meanwhile, demonstrates that there’s pretty much nothing he can’t counterfeit in Styrofoam and a bit of paint. Michael Joo carries on tackling the big questions of existence. And two ArtReview critics review 40 Berlin exhibitions. Plus: Marieta Chirulescu and R.H. Quaytman. |