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Artforum International - Issue XLIII No 10 - Summer 2005

Artforum International - Issue XLIII No 10 - Summer 2005
Library Shelf Location AP
Publication Date Jun 2005
Abstract SUMMER 2005 TABLE OF CONTENTS LETTERS   PASSAGES Daniel Birnbaum on Harald Szeemann BOOKS Mel Bochner on Donald Judd Pamela M. Lee on Andrea Fraser FILM Keith Sanborn on Chris Marker Daniel Birnbaum on The Ister PERFORMANCE Matt Saunders on Jonathan Meese's Mother Parsifal Johanna Burton on Tracy + the Plastics SLANT Joe Scanlan on social space and relational aesthetics ON SITE Robert Lumley on the Fondazione Merz TOP TEN Josephine Meckseper    INSIDE OUT: ART'S NEW TERRITORY Being There: Art and the Politics of Place Anne M. Wagner The Lay of the Land: An Experiment in Art and Community in Thailand Daniel Birnbaum Tristan da Cunha Tacita Dean Navigating the New Terrain: Art, Avatars, and the Contemporary Mediascape David Joselit A Text About High Desert Test Sites Lisa Anne Auerbach and Andrea Zittel A talk with the Center for Land Use Interpretation's Matthew Coolidge Jeffrey Kastner Remote Possibilities: A Roundtable Discussion on Land Art's Changing Terrain Claire Bishop, Lynne Cooke, Pierre Huyghe, Pamela M. Lee, Rirkrit Tiravanija, Andrea Zittel, and Tim Griffin (moderator) El Diario del Fin del Mundo: A Journey That Wasn't 1000 Words: Catherine Yass Mark Godfrey World Apart: The Films of Jia Zhangke J. Hoberman An Eye for an Ear: Art and Music in the Twentieth Century Harry Cooper Openings: Roberto Cuoghi Alison M. Gingeras    Robert Rosenblum on Salvador Dalí Lane Relyea on "Universal Experience: Art, Life, and the Tourist's Eye" From New York, Chicago, Minneapolis, San Francisco, Los Angeles, Madrid, Rome, Bergamo, Naples, Paris, Vienna, Düsseldorf, Berlin, Hamburg, Brussels, Stockholm, Malmö, London, and East Tilbury/Workington, UK. An Eye for an Ear: Art and Music in the Twentieth Century The early years of the twenty-first century have seen a number of shows that have explored one of the least-understood aspects of modernism: sound, and its relationship to visual art. In his consideration of this "dark secret" of twentieth-century art history, curator Harry Cooper surveys this spate of recent shows—"Visual Music," co-organized by the Los Angeles Museum of Contemporary Art and the Hirshhorn Museum and Sculpture Garden, the Centre Pompidou's "Sons & Lumières," and a trio of exhibitions on the dialogue between Kandinsky and Schönberg—and suggests that the new preoccupation with sound might signal "some final, belated exorcism of Clement Greenberg."
Quantity 1
Language English
Issue Artforum International - Issue XLIII No 10 - Summer 2005
Publication Artforum

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