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50th Anniversary Issue: “Art’s New Media.” Ninety distinguished contributors including Thomas Crow, Ed Ruscha, Rosalind E. Krauss, Barbara Kruger, Hal Foster, Wolfgang Tillmans, Tacita Dean, Douglas Crimp, John Baldessari, Daniel Birnbaum, Greil Marcus, Kara Walker, Claire Bishop, Diedrich Diederichsen, Pamela M. Lee, John Kelsey, Lawrence Weiner...
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PRINTED MATTERS
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Introduction by Michelle Kuo
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Thomas Crow on Philip Leider’s “How I Spent My Summer Vacation”
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Jeffrey Weiss on Dan Flavin’s “‘. . . in daylight or cool white.’”
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Caroline A. Jones on Jack Burnham’s “Systems Esthetics”
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Rhonda Lieberman on Barbara Kruger’s “Remote Control”
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Eric Banks on Lawrence Alloway’s “Network: The Art World Described as a System”
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Hal Foster on criticism then and now
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John Rajchman on Vilém Flusser’s “Curies’ Children”
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Daniel Birnbaum on Jean-François Lyotard’s “The Sublime and the Avant-Garde”
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David Rimanelli on Jean Baudrillard’s “What Are You Doing After the Orgy?”
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David Frankel on Greil Marcus’s “The Cowboy Philosopher”
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David Velasco on Annette Michelson’s “The Dancer and the Dance” and “Lives of Performers”
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Max Kozloff on his “The Multimillion Dollar Art Boondoggle”
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Robert Pincus-Witten on photography and criticism
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Ida Panicelli on editing
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Tim Griffin on art and artifical life
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Jack Bankowsky on Scene & Herd
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Ingrid Sischy talks with Michelle Kuo
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FEATURES
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MEDIA SPECIFICITIES
Pamela M. Lee
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CLOSE-UP: OUR PREHISTORIC FUTURE
David Bordwell on Steven Spielberg’s Jurassic Park
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NEXT-LEVEL SPLEEN
John Kelsey
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CLOSE-UP: FRAME BY FRAME
Rosalind E. Krauss on Tacita Dean’s Film
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STEP INTO LIQUID: THE ASCENDANCY OF INK-JET PRINTING
Michelle Kuo talks with Wolfgang Tillmans
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CLOSE-UP: DATA ALMANAC
Anne M. Wagner on “Software”
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DIGITAL DIVIDE: CONTEMPORARY ART AND NEW MEDIA
Claire Bishop
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CLOSE-UP: GRAY SCALE
Michael Fried on Michael Schmidt’s 89/90
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ON ALL CHANNELS: MEDIA, TECHNOLOGY, AND THE CULTURE INDUSTRY
Diedrich Diederichsen
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CLOSE-UP: FILE SHARING
Scott Rothkopf on Kelley Walker’s Untitled
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TWENTIETH-CENTURY VOX: MARSHALL MCLUHAN AND THE MECHANICAL BRIDE
Greil Marcus
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CLOSE-UP: ZOOM AND BUST
Amy Taubin on David Cronenberg’s Cosmopolis
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MACHINE LEARNING: FRIEDRICH KITTLER (1943–2011)
Geoffrey Winthrop-Young and Eva Horn
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CLOSE-UP: DIRECT CINEMA
J. Hoberman on Stan Brakhage’s Mothlight
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CITIES OF TOMORROW: TECHNOLOGY, ECOLOGY, AND ARCHITECTURE
Anthony Vidler
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CLOSE-UP: DATA MINE
Bruce Sterling on Petra Cortright’s HELL_TREE
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MODERNISM WITHOUT ORGANS: ANTONIN ARTAUD
Branden W. Joseph
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CLOSE-UP: INDIRECT ANSWERS
Douglas Crimp on Louise Lawler’s Why Pictures Now
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TRANSFORMER: GREGORY BATTCOCK
David Joselit
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CLOSE-UP: NORTHERN LIGHT
Molly Nesbit on Philippe Parreno’s Speaking to the Penguins
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CLOSE-UP: HELL IS FOR CHILDREN
Ed Halter on Leslie Thornton’s Peggy and Fred in Hell
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CLOSE-UP: REWORKED
Lynne Cooke on Rosemarie Trockel’s Untitled
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GHOST STORY: KINETIC ART AND NEW MEDIA
Eric C. H. de Bruyn |