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COLUMNS
LETTERS
PASSAGES
Emma Wilson on Alain Resnais
Marlene Dumas on Jan Hoet
Dieter Roelstraete on Jan Hoet
BOOKS
Summer Reading
Laurie Simmons
Chris Stein
Simon Denny
Svetlana Alpers
Darby English
Mark Flood
John Harwood on D. Fox Harrell’s Phantasmal Media
Johanna Fateman on Masha Gessen’s Words Will Break Cement
FILM
James Quandt on Joaquim Pinto’s What Now? Remind Me
Amy Taubin on Richard Linklater’s Boyhood
Melissa Anderson on Bong Joon-ho’s Snowpiercer
SLANT
Matt Saunders on the paintings of George W. Bush
Martha Buskirk on networked photography and copyright
TOP TEN
Kim Stanley Robinson
FEATURES
GRAPHIC CONTENT: ART AND ANIMATION
DISREPUTABLE SOURCES: ART AND COMICS
Fabrice Stroun
ARTIST CURATES: EYE OF DOOM, HAND OF GLORY
Art Spiegelman
WONDER WORLDS: HISTORIES OF COMICS
Stephen Burt
THE WARHOL FILES: ANDY WARHOL’S LONG-LOST COMPUTER GRAPHICS
Cory Arcangel
ARTIST CURATES: BEHIND THE ZINES
Lele Saveri
ARTISTS AND CRITICS ON ANIMATION
Jim Shaw
Julien Ceccaldi
Jordan Wolfson
Douglas Wolk
Hillary Chute
Kerry James Marshall
Ida Applebroog
Nick Zedd
Ed Halter
Ian Cheng
1000 WORDS: SCOTT REEDER
Ben Carlson
PERSISTENCE OF VISION: THE FILMS OF PAOLO GIOLI
Patrick Rumble
OPENINGS: SANDY KIM
Sarah Nicole Prickett
REVIEWS
Joel Snyder on Christopher Williams
George Lewis on “The Shadows Took Shape”
Jennifer Josten on “Cruzamentos: Contemporary Art in Brazil”
Saloni Mathur on “Aesthetic Bind”
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