Abstract |
The grand reception of one of the world's best-known fashion labels, in the centre of Paris, is perhaps not the first place you would think of putting a giant Mechano model of the Tyne Bridge.
But Chris Burden's art work, which was admired by thousands when it featured in the Baltic's opening season caught the eye and the fancy of Louis Vuitton's billionaire owner when he was planning the "look" of the company's new headquarters. |