BxNU SYMPOSIUM: A Perfect and Absolute Blank (01): Rona Lee

Publication Date 16 Oct 2015

BxNU SYMPOSIUM: A Perfect and Absolute Blank
16 October 2015, BALTIC Centre for Contemporary Art

Panel 1: Who owns the sea?

In response to issues raised BALTIC exhibition Fiona Tan: DEPOT, this symposium will bring together eminent practitioners, artists and theoreticians whose work addresses that least visible but most present entity, The Sea. The exhibition includes BALTIC’s spectacular new commission DEPOT, which re-imagines the exhibition of ‘Jonah the Giant Whale’, a preserved whale which toured Europe from the 1950s to the mid-1970s, and Disorient 2009 with imaginaries of trade and travel.

Despite its powerful subconscious and imaginary pull - the source of fantastic creatures and lost cities, the cruel grave of hapless seafarers and travellers - the sea has largely been consigned to the margins of the terrestrial, a mere surface to be traversed in pursuit of capital and territory – Lewis Carol’s ‘perfect and absolute blank!’ Contemporary thought has however taken an oceanic turn - prompted by political, ecological, technological and material shifts - undersea resource extraction, claiming and division of sub maritime territories, seaborne migration and trafficking, overfishing, rising sea levels – all have emerged as concerns of global significance.

Emerging from the research interests of staff at Northumbria University in inter-disciplinarity and the creation of new knowledge across the sciences, humanities and arts, the event will include performances, screening and discussions in order to consider both the impact of human activity upon the 71% of the planet’s surface that is covered by water and how we might think with the liquidity, mobility and volume of the sea to evolve new fluid ontologies of the world we inhabit.

Curated and convened by Jane Arnfield, Reader in Arts, Director of Fine & Visual Arts Programmes, Northumbria University; Christine Borland, BALTIC Professor, Northumbria University; Sandra Johnston, Senior Lecturer in Fine Art, Northumbria University; Rona Lee, Professor of Fine Art, Northumbria University and Hannah Marsden, Adult Public Programmes Assistant, BALTIC Centre for Contemporary Art.

Rona Lee, Professor of Fine Art, Northumbria University

Rona Lee is a British artist who lives and works in London. She works in an ‘expanded’ manner, combining different media - performance, photography, sculpture and video, with techniques and technologies ‘borrowed’ from other disciplines / spheres. Operating across gallery and non-gallery settings her practice is process based and research led involving extended periods of engagement with / intervention in different contexts. Rooted in feminist, performative and conceptual practices, the capacity of the ‘fluid’ to materially and conceptually subvert subject/object relations, along with questions of subjectivity and alterity, form continuing concerns with her work. Since 1999 a series of projects have investigated water as a geographical, environmental and epistemological locus. Between 2007-12 Lee was Artist in Residence at the UK National Oceanography Centre enquiring into questions of scientific knowledge production and the generation of new imaginaries/ontologies of the deep in a climate of accelerating exploitation of undersea resources.

A full schedule of the day and biographies of all the speakers can be found in the delegate pack, available here:

Speaker Professor Rona Lee
Format MPEG 4
Month October 2015
Keywords BxNU Institute of Contemporary Art, Critically Engaged, interdisciplinary
Related Events BxNU SYMPOSIUM: A Perfect and Absolute Blank (16 October 2015), Fiona Tan: Depot (10 July - 1 November 2015)
Related Gallery BALTIC Centre for Contemporary Art

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