| Description |
Edited by Magdalena Malm, this volume articulates the why and how of curating art projects that gain their meaning in relation to a surrounding context, or which require a specific structure in order to play out. In such practice, curatorial considerations are interwoven with production, and the intentions of artists and curators are foremost, rather than institutional structures. With contributions by Grégory Castéra, Claire Doherty, Raimundas Malašauskas, Jessica Segerlund, and more, the texts and conversations offered here reflect on how these curatorial methodologies not only situate works in different places, but also transfer curatorial methods into other fields. |