Fieldguides for a Preternaturalist (vol. 3)

Fieldguides for a Preternaturalist (vol. 3)
Library Shelf Location ZINE-M
Publication Date 2021

Fieldguides for a Preternaturalist is a series of small chapbooks initiated by South African artist Wendy Morris as part of her ongoing project Nothing of Importance Occurred: Recuperating a Herball for a Seventeenth Century Enslaved Angolan Midwife at the Cape. Combining historical and speculative research, the project is concerned with the missing narratives while approaching plants as archives and storytelling as method. It has as its focus the retrieving of a library of botanical-medicinal knowledge that might have informed Morris’s enslaved ancestor, Maaij Claesje of Angola, midwife in the Company Slave Lodge in Cape Town.
K. Verlag partners on the creation of a series of ten booklets, the Fieldguides, which are conceived as generators of collaborations, which is to say that they are a means to invite “guides,” or guest authors, to beam light onto the investigation from multiple angles by sharing their perspectives and historical, anthropological, experiential, ethnobotanical, literary work, and more. The series is launched with three volumes, including contributions by Nadia Kamies, Rachel O’Donnell, and Joshua Cohen & Johanna (Marianna) Lot. They were invited to write towards the project in a word-of-mouth form, and each contribution will, in turn, occasion a set of gatherings during which the text will be read aloud.

WENDY MORRIS was born in Namibia, grew up in South Africa, and lives in Belgium. She is an artist, researcher and teacher at Luca School of Arts, Brussels, and the Art History Department of KU Leuven and founder of the interdisciplinary deep histories fragile memories research cluster. Her work has a double focus on historical and transdisciplinary research and on the artistic and written forms in which this research manifests itself. Her current artistic practice comprises Travelogues, polyvocal Herbals, Audio-Eeries and Duets, clandestine Radioworks, and the Fieldguides. Wendy works as the Company, a constellation of organs and entities that has evolved as an artistic-fictive conceit in the investigation into the fragile history of her Angolan ancestor. Forfeiting a sense of wholeness and a single-point perspective, the focus of work has shifted towards a plurality of parts and beings that include the Wandering Womb, Muriel Emissary to the Past, Orlando Preternaturalist, and I, the Ear.

JOHANNA (MARIANNA) LOT is a para-ecologist, gatherer of plant materials, compiler of databases, researcher of village herbalist practices, teacher of sustainable land uses, facilitator and story-teller. She lives in the Kamiesberg in Namaqualand, South Africa.

JOSHUA COHEN is a cultural anthropologist and writer of a doctoral thesis on ‘Kruiedokters, plants and molecules: relations of power, wind and matter in Namaqualand’ he spent many months in the Kamiesberg attuning to ways three vital concepts of krag (power), toor (magic), and wind (wind), that are central to the work of kruiedokters, exist in people’s lives. Joshua is now a researcher interdisciplinary water@leeds project, Leeds University.

ISBN 9783947858415
Quantity 1
Pages 48
Authors Joshua Cohen, Johanna Lot
Format Chap Book
Publisher Kerber Verlag
Related Artist Wendy Morris
Category Zine Collection (by appointment)
Keywords Flora (plants), Plants, Indigenous Knowledge, Growing, Medicine, Storytelling, embodied knowledge
Languages English, German

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