| Description |
In this issue we take a moment to think about legacy: connections to the past, ruminations on the future, traces left behind. We visit Brice Marden in his studio as he prepares to premiere a new body of monochrome paintings, building on ideas that have permeated his practice since early in his career. We reflect on a period of daring innovation for Helen Frankenthaler, from 1959 to 1962. We discuss the experimentation and development of John Currin’s drawing practice. And much more! |