| Abstract |
Nationally and internationally recognised for her atmospheric representations of landscapes within glass vitrines, German-born Neudecker presents new works in the exhibition that this latest publication marks. Using sculpture, film and photography, Neudecker creates a sometimes playful frisson between historical cultural representations of the sublime landscape and out peception, imagination and memory of the reality of experience. This exhibition in the Cornish context, prompts the viewer to consider how in relating to the natural world, the resulting concept of landscape has become a vehicle for emotional transcendence, philisopical contemplation and cultural identity. |