Library Shelf Location |
20.BRIO |
Publication Date |
1958 |
Description |
Those aesthetic theories which were born and developed during the first half of the 20th century derived very largely from a desire, common to all the artists concerned, to rid themselves of the limitations of traditional painting, which has become a routine repertory to ideas and forms, and to find an answer to the dangerous fragmentation of solid form by vibrating colour which the Impressionists has foreshadowed. |
ISBN |
none |
Quantity |
1 |
Pages |
98 |
Publisher |
Thames and Hudson Ltd, London
|
Related Artists |
Giorgio de Chirico, Marc Chagall, Marcel Duchamp, Max Ernst, Paul Klee, Salvador Dali, Pablo Picasso, Max Beckmann, Georges Braque, Pierre Bonnard, Paul Gauguin, Vincent van Gogh, Fernand Leger, Edvard Munch, Andre Bauchant, Umberto Boccioni, Paul Cezanne, Robert Delaunay, Andre Derain, Raoul Dufy, Lyonel Feininger, Albert Gleizes, Juan Gris, Marcel Gromaire, Ferdinand Hodler, Alexei von Javlensky, Wassily Kandinsky, Ernst Ludwig Kirchner, Oskar Kokoschka, Frank Kupka, Roger de La Fresnaye, August Macke, Franz Marc, Albert Marquet, Henri Matisse, Amedeo Modigliani, Piet Mondrian, Otto Muller, Emil Nolde, Odilon Redon, Georges Rouault, Chaim Soutine, Henri de Toulouse-Lautrec
|
Keywords |
Dada, Surrealism, Expressionism, Suprematism, Impressionism, Cubism, Neo-Plasticism, Futurism, Fauve
|
Language |
English
|