Description |
File contains a collection of articles, reviews and other texts.
Contents include, in relation to BALTIC's exhibition:
BALTIC Press Release, 2016 BALTIC Interpretation guide Omer Fast: Present Continuous - Article by Damilola Oshilaja in Eclectic, 02/05/2016 Porn and paranoia on Tyneside - by Richard Martin in Apollo (online), 19/05/2016 Sex, lies and videotape - by Richard Martin in Apollo (print)- May 2016 Exhibition review in Aesthetica, 03/03/2016 Exhibition listing in Guardian Guide, 25/03/2016 Attention grabbing at BALTIC by David Whetstone, 29/03/2016 Trauma, technology and truth: Omer Fast's disquieting videos confound Narrative Expectation by James Loks in Artslant, April 2016 BALTIC's big new Omer Fast exhibition takes us into some disturbing places by David Whetstone, The Chronicle (2016) Exhibition review in Artis, February 2016 Exhibition review in Art Rabbit, 5/02/2016 Omer Fast: Present Continuous review - teasing takes on sex, death and trauma by Adrian Searle in The Guardian (2016) Truth and other casualties of war - Review (of the exhibition at Jeu de Paume) in Aesthetica, issue 67, Oct/Nov 2016 Exhibition review by Dave Pritchard in corridor8, 28/03/2016 Omer Fast on the past and "Present Continuous" at BALTIC in blouinartinfo.com (also Modern Painters in print?), March 2016 Exhibition guide from Kunsten, Denmark 2016 (final venue in the exhibition tour)
In relation to Omer Fast's feature film Remainder:
Omer Fast's new film is a Groundhog Day for the digital era (Remainder review) by Ioma Goulder in Amuse, 15/02/2016 Omer Fast by Helen Sumpter - Art Review, Vol. 67 - No. 7 - October 2015 Novel idea - Omer Fast's adaptation of Tom McCarthy's book Remainder by Tom Morton in Frieze no. 164, June-July-August 2014
Contents also include a substantial collection of other texts, articles and reviews relating to Omer Fast's earlier works and exhibitions. |