| Description |
Ruben Ortiz Torres is out of control; or rather he situates himself at the borders of the controlled institutional apparatus that defines contemporary art. Like the iconoclastic lowriders that have influenced his work, Ortiz Torres promotes "rebellion, proposing outrageous reconfigurations and different ideas of how the world should look." He fuses the visual and theoretical concepts of late twentieth century art practice with the unruly visual iconography of US/Mexican hybrid culture. |