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Dispatches
CRUMB'S LAST CONCERT: EXPATS IN PARIS, BY JOHN BAXTER
LIZ JOBEY ON LONDON'S TEN-YEAR-OLD INSTITUTION ARTANGEL
CATHERINE MILLET CONSIDERS THE SEDUCTION OF ART
BRONWYN COSGRAVE ON FOOTWEAR AT DOCUMENTA XI
MARCEL WANDERS: DESIGN AND WILLY WONKA, BY MARK RAPPOLT
LE CORBUSIER AT THE ARK HILLS CLUB, TOKYO, BY SIMON WILLIS
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TEXTUAL PERVERSION: TOM MORTON ON RECENT ARTISTS' BOOKS
PUBLISHING WITH LOVE: DINO SIMONETT TALKS TO ZOË MANZI
PRINT PREVIEWS: HETEROPTERA AND VITAMIN P
Features
MARINA WARNER ON DOLLARS AND PILLARS AFTER SEPTEMBER 11
GARY HUME: STUDIO VISIT, PHOTOGRAPHY BY ROBERT WYATT
21ST CENTURY VOICES ON RENAISSANCE TAPESTRIES AT THE MET
FILMMAKER BAZ LUHRMANN INTERVIEWED BY MIUCCIA PRADA
SOMETHING'S WRONG: MELANIE MCGRATH ON TRACEY EMIN
NEW DIRECTIONS IN AN OLD MEDIUM: DANIEL BIRNBAUM ON PAINTING
ARTIST'S PROJECT: EIGHT PAGES BY ARTIST ELIZABETH PEYTON
THE LONG LOOK: MICHAEL COLLINS ON BERND AND HILLA BECHER
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AMERICAN SUBLIME: CARTER RATCLIFF ON PAINTER BARNETT NEWMAN
ROBERT RYMAN TALKS TO SHEENA WAGSTAFF ABOUT NEWMAN'S AESTHETIC
GAINSBOROUGH'S MODERNITY, BY WILLIAM VAUGHAN
DESCENT INTO LIMBO: ANISH KAPOOR ON HIS TATE MODERN INSTALLATION
ARTISTS INVADE LIVERPOOL FOR THE CITY-WIDE BIENNIAL
LANDSCAPE INTO ART: ANYA GALLACCIO AT TATE BRITAIN
Listings
THE PICK OF CURRENT INTERNATIONAL EXHIBITIONS
Endmatter
SHINY BALLS OF MUD – WILLIAM GIBSON ON JAPANESE OBSESSIONS
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