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The Sublime (Documents of Contemporary Art )

The Sublime (Documents of Contemporary Art )
Library Shelf Location 05.MORL
Publication Date Mar 2010
Description In the contemporary world, where technology, spectacle, and excess seem to eclipse nature, the individual, and society, what might be the characteristics of a contemporary sublime? If there is any consensus, it is in the idea that the sublime represents a testing of limits to the point at which fixities begin to fragment. This anthology examines how contemporary artists and theorists explore ideas of the sublime, in relation to the unpresentable, transcendence, terror, nature, technology, the uncanny, and altered states. Providing a philosophical and cultural context for discourse around the sublime in recent art, the book surveys the diverse and sometimes conflicting interpretations of the term as it has evolved from the writings of Longinus, Burke, and Kant to present-day writers and artists. The sublime underlies the nobility of Classicism, the awe of Romantic nature, and the terror of the Gothic. In the last half-century, the sublime has haunted postwar abstraction, returned from the repression of theoretical formalism, and has become a key term in critical discussions of human otherness and posthuman realms of nature and technology.
ISBN 9780262513913
Quantity 1
Pages 240 pp. 6 x 8 1/2
Editor Simon Morley
Format Paperback
Publishers MIT Press, Cambridge, Mass., Whitechapel Art Gallery, London
Related Artists Andreas Gursky, Anish Kapoor, Anselm Kiefer, Cornelia Parker, Fred Tomaselli, Gary Hill, Gerhard Richter, Hiroshi Sugimoto, James Turrell, Jitka Hanzlova, Joseph Beuys, Lorna Simpson, Luc Tuymans, Mike Kelley, Olafur Eliasson, Richard Long, Shirazeh Houshiary, Tony Oursler, Walter De Maria, Yves Klein, Tacita Dean, Barnett Newman, A K Dolven, Doris Salcedo, Zhang Huan, Bill Viola, Marina Abramovic, Susan Hiller
Category Art Theory/Criticism
Keyword Sublime, the
Language English

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